Bernhard Gander: Monsters and Angels

Gander is interested not in balance, symmetry and purity, but rather in wobbling, limping and fluttering, in the inscrutable and the dirty. But his commentaries and work titles, as well as the way he plays with exaggeration boldly obvious effects and cliches, also bear witness to that healthy dose of humour and irony that inhabits his entire oeuvre.